Licensing a song from an independent artist for a YouTube video usually costs a one-off fee in the tens of dollars. On cadential, the typical range is AUD $18 to $59 per track, per video, paid once, with no expiry and no subscription. The four- and five-figure numbers you have read about are real, but they belong to a different market: negotiated deals for well-known commercial releases, and national or global ad campaigns. Those are quoted individually, not bought off a shelf.

Typical prices by use type

Price is driven first by what you are doing with the music, not by how long the track plays or how many views you get. These are the usual ranges on cadential., in Australian dollars:

Use typeTypical range (AUD)Covers
Social media$8–$35Instagram, TikTok, Facebook, X
YouTube & online video$18–$59YouTube and equivalent platforms
Podcast & audio$11–$35Audio-only shows
Film & documentary$55–$199Short film, doc, student work
Brand / commercial$89–$399Paid advertising and brand content

Ranges, not fixed numbers, because the price is per track. A track by an artist with 400,000 monthly listeners is not worth the same as one by an artist with 2,000. The exact figure is shown in full before you start checkout, so there is never a quote to chase.

The five things that actually move the price

  • Use type. A YouTube video and a paid ad are different products with different commercial value, so they are priced differently. This is the biggest single factor.
  • The artist's reach. Audience size is a proxy for what a placement is worth to the artist, and for what it is worth to you. Bigger audience, higher price.
  • Genre demand. Some genres are simply asked for more often in sync. Hip-hop, R&B and electronic carry a premium for creator content; cinematic and orchestral carry one for film and trailer work.
  • Scope: term, territory, exclusivity. The default licence is the widest one: perpetual, worldwide, non-exclusive. Narrowing the term or territory costs less. Buying exclusivity, so the artist cannot license the track to anyone else in your category, costs substantially more. See the glossary if those words are new.
  • Sub-use. An organic YouTube upload and a YouTube pre-roll ad are not the same thing. Pre-roll is advertising, and priced as advertising.

If you want the full reasoning behind the multipliers, including the parts of the model that are honestly unvalidated. It is documented rather than hidden. That is deliberate.

What the fee actually buys

A synchronisation licence is permission to combine a piece of music with your content. On cadential., unless your licence PDF says otherwise, that permission is:

  • Perpetual: no expiry, no renewal fee. The video stays cleared for as long as it is up.
  • Worldwide: no territory restrictions.
  • Non-exclusive: the artist keeps ownership and can license the track to others too.
  • One project, one use type: one licence covers one video. A second video needs a second licence.
  • Monetisation-safe by design: the YouTube use type explicitly covers monetised channels.

You also get a real contract, not a receipt: a PDF naming you, the track, the artist, the use type, the territory and the term, with a licence number anyone can verify at usecadential.com/license/<licence-number>. That matters the first time a platform asks you to prove you had permission.

Why the huge numbers exist

Published sync rate cards routinely show $10,000 to $500,000+ figures. Those are for major-brand and national campaign placements, usually involving a recognisable commercial recording, cleared through a label and a publisher separately. Every one of those deals is negotiated. No self-serve platform, including this one, can responsibly price them from a formula, if that is the deal you are doing, it needs a human and a manual quote. Broadcast TV, theatrical release and large-scale campaigns fall in the same bucket.

For everything below that line. A YouTube channel, a podcast, a short film, a small business ad, fixed pricing works fine, and the negotiation was never adding value in the first place.

How payment works right now

cadential. is in early access, so licences are arranged by invoice rather than card payment at checkout. You confirm the licence you want, we contact you to finalise payment, and the licence is confirmed from there. No card details are collected through the site. 80% of every licence fee is paid to the artist; cadential. keeps 20% as the platform fee.

Is it cheaper to just use a subscription library?

Sometimes, genuinely. If you publish five videos a week and need a fresh track for each, a monthly subscription costs less per track than buying licences one at a time. If you publish occasionally, or you want a specific track rather than whatever the library has, per-track licensing is cheaper and you own the permission outright instead of renting it. The difference is not really about price, it is about what you are left holding, see royalty-free music vs a sync licence.

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